In order to be successful as a textile designer, you will not only need an excellent aesthetic sense for color, texture, textiles, and pattern; in addition, you will need to network within the business and compile a body of work in the form of a portfolio.
Textile designers develop two-dimensional designs that may be utilized in the manufacturing of knit, woven, and printed textiles as well as other textile goods. These designs are often employed as repeat patterns.
They may work in industrial or non-industrial settings, and they often specialize in the textile sector or do their jobs in a context that is specialized to that industry. The following are the two most important subfields of textiles:
interiors, including things like upholstered furniture, carpeting, and stuffed animals
textiles for use in the fashion industry or in specialized fields like as fireproofing.
While some textile designers work alone, others are engaged by companies as members of design teams.
Responsibilities
The following is a list of the day-to-day tasks of a textile designer:
creating drafts, drawings, and prototypes to show to potential clients.
drawing up sets of sample designs
coordinating design planning and development with customers as well as workers from technical, marketing, and purchasing departments
comprehending and conveying the thoughts of the customers in an appropriate manner
determining the appropriate design equations for a set of samples
evaluating and certifying finished products while maintaining manufacturing standards
if you are self-employed, working alone, or if you are part of a small team, working closely with your fellow workers.
developing a number of different designs with the use of specialized software and computer-aided design (CAD) systems
attempting new things in regard to color, material, and surface
keeping abreast of the most recent developments in fashion design, manufacturing processes, and textile technologies
creating original ideas for fresh designs
ensuring that all tasks are finished within their allotted time
traveling to other locations and looking at various inspiration sources for designs
attending trade fairs, marketplaces, and antique stores in order to source textiles and other items.
Participating at trade exhibitions, either as a delegate or an exhibitor - this might include representing the firm with a display or stand, or evaluating the work of other businesses in the industry.
maintaining current knowledge and identifying emerging fashion trends in fabric design via the use of online resources and reading projections published in trade publications
establishing a web of professional relationships and connections
If you are self-employed, you are responsible for marketing and public relations, as well as money, company administration, and website maintenance.
Salary
Beginning earnings range anywhere from £15,000 to 20,000 pounds, with greater starting pay rates being offered in London.
A competent junior designer with one to two years of experience might anticipate earning somewhere in the range of £22,000 and $25,000. Earnings of up to £28,000 per year are possible for designers with three to four years of expertise.
Senior designers and design directors often make between £30,000 and £40,000 or more per year in salary.
There is a wide range of variation in salaries across different geographical locations and types of employers. Because so many textile designers are self-employed and often work on commission, their incomes might range widely. It is very uncommon for designers to realize that they need additional money from other sources; one frequent choice is to become teachers.
The monetary amounts listed are just meant to serve as a reference point.
Time spent working
In order to successfully meet deadlines, regular working hours often contain unscheduled time. Designers who operate on a freelance basis do not have regular working hours and must split their time between creating designs and selling those designs.
What may be anticipated
The workplace may take many forms, including factories, warehouses, or even specialized design studios. Artists, artisans, and designers who operate on a freelance basis may work either from home or in workshops.
Long-term self-employment is a possibility; however, launching your own design firm while still maintaining your current workload is a challenging endeavor that may take a significant amount of time. The Design Trust is an excellent resource for aspiring young designers who are interested in starting their own firm.
There is now a labor shortage in the United Kingdom. There is a concentration of design studios in London, and the historic centers of the textile industry, such as Scotland, the North West, and the Midlands, have a higher availability of work opportunities.
It is feasible for recent graduates to get their initial employment, especially in fashion design, in countries such as Italy, France, or the United States. These countries provide the opportunity to acquire invaluable experience by working with renowned designers before beginning work in the United Kingdom. Internships in fashion design may be found all around the world via companies like Global Experiences.
The continual pressure to generate new ideas and develop new connections by attending trade fairs and other events may be difficult, especially when combined with the fact that working alone and to tight deadlines can be stressful as well. If a piece of your work is not well accepted by a customer, using your creative talents in a business context will demand you to have the capacity to take criticism.
It is likely that you may be forced to travel inside the working day on occasion and stay away from home overnight. Additionally, you may be asked to work or travel internationally.
Qualifications
Whether you work for an employer or on your own, having a degree in any of the following subjects might be beneficial to your career as a textile designer:
art and design
fashion
knitwear
surface design
textiles.
Degree programs in textiles sometimes allow students to specialize in a subfield, such as printed textiles, built textiles, or mixed media textiles. You need to determine whether or not the path you've chosen will allow you to operate in the manner that you envision. For instance, if you want to work in ornamental design, making artefacts, or in the craft business, taking a degree in mixed media may be the most applicable thing for you to do.
The majority of fashion degree programs provide students with a broad education in all facets of fashion design; nevertheless, it is possible to specialize in the following areas:
technology used in apparel
contour design
costume accessories design
knitwear
production management.
Students who enroll in certain fashion degrees are also given the option to spend one year working in the fashion sector. Check out the Universities and Colleges Admissions Service for a comprehensive catalog of available college classes (UCAS).
A degree in the appropriate field may greatly boost prospects, although an HND in fashion and/or textile design is sufficient for entry-level work.
It is possible to enter the field without a degree or a higher-level diploma, often in the capacity of a machinist or pattern cutter; but, professional advancement is sluggish without design knowledge.
There is no need for a pre-entry postgraduate certification; nevertheless, postgraduate study does provide you the ability to explore and experiment with ideas and methodologies, as well as expand your experience into adjacent fields. Candidates for postgraduate study are required to have a portfolio and, in most cases, will have have completed a suitable undergraduate degree program or will have extensive previous professional experience.
In most cases, candidates must first get a specialized degree or qualification before being considered for assistant designer roles. Graduates who have not taken this path will need to gather experience and construct a portfolio, and they may do so by enrolling in a degree program or completing a series of shorter courses that can be completed part-time to improve their knowledge and competence. Those who have graduated from other fields could have a more difficult time, but institutions are increasingly providing part-time study paths that are acceptable for graduates of fields other than design, including foundation programs and degree programs.
There are a variety of sources that provide funding for courses linked to textiles, including:
The Institute of Textiles and Apparel
The Society for Textiles
Weavers' Worshipful Company of England and Wales
Skills
You will need to demonstrate that:
talent and prowess in the arts and creative endeavors
a keen perception of color, texture, and patterns in materials and garments
good attention to detail
a passion in clothing and textiles, as well as a knowledge of current styles and available materials
comprehension and hands-on expertise with a variety of textile manufacturing processes and procedures
a talent for design as well as the capacity to make use of computer-aided design (CAD) software packages
abilities in both communicating and functioning in a group
capacity to work under time constraints and financial constraints
Skills in marketing, administration, and business are extremely important to have if you work for yourself.
Practice in the workplace
Gaining relevant job experience, whether via employment completed during school breaks or during course placements, is almost necessary in order to break into this sector. You need to take the initiative to hunt for job experience, and you need to make an effort to acquire practical understanding of the technological procedures that are necessary.
It is more probable that career prospects, whether permanent or freelance, will come through speculative applications and successful networking than it is to result from a systematic search for openings. This is the case in other sectors of art and design as well.
In order to secure commissions and placements, it is essential to cultivate contacts with more established designers, fashion houses, and design firms.
As a result of the fact that the majority of, if not all, course lecturers also have jobs in the business, these professionals could prove to be useful connections. Participating in events such as trade fairs and other gatherings is an additional productive technique to create connections.
Find out more information on the many types of work experience and internships that are currently offered.
Employers
Employers who fall within this category include:
firms involved in the manufacture and processing of textile items, such as apparel, soft furnishings, and other textile-based goods
large-scale stores specializing on fashion and clothes retail
design studios and consultancies
tiny specialised design businesses
providing services in interior design and decorating
Freelance employment for some of the above-mentioned firms is possible for textile designers, and it is often done via an agency. Freelancing may be a stepping stone to full-time employment in the fashion and garment industry, whether it be in a design studio or a shop.
It's possible for textile designers to eventually launch their own companies if they get enough expertise and make enough connections. Check out Design-Nation to get an idea of the processes that certain individual designers go through.
Try looking for employment opportunities at:
The Charterhouse School of Art and Design (CSD)
Denza International
Personnel in the Fashion and Retail Industries
Student membership in the Textile Institute is available for £10 and comes with free digital access to the organization's Textiles magazine.
It may be challenging to identify open positions, which is one of the reasons why many firms accept unsolicited applications. They also go to graduation events to look for people who could be interested in working with them.
Get in touch with key exposition centers and go through trade journals to get information on upcoming trade fair events, which are fantastic possibilities for making connections with other people. Participating in contests is another great approach to catch the attention of potential employers.
On the websites of several professional and trade groups, such as the ones listed below, you may find directories that identify related firms.
BITA (British Interiors & Textiles Association)
Network of European Textile Companies
If you have a distinct notion of the areas of design that pique your interest, it will be easier for you to choose which businesses to get in touch with.
Improvement of one's profession
On-the-job training is common; for example, if you're just starting out at a commercial design firm, you'll undoubtedly require training in practical techniques. Training may sometimes be achieved while working in the field.
The supply of training will be determined by the amount of previous practical and business experience you already possess as well as the quantity of time that more experienced staff members have available.
In addition to more general textile design courses like the Level 3 Diploma in Design and Craft and the higher professional Level 4 Diploma in Creative Crafts, there are also courses in more specialized areas like constructed textiles, machine embroidery, and patchwork and quilting. These courses can be found alongside more general textile design programs.
There are specialized classes offered for students of various skill levels and via a variety of educational pathways. See suppliers such as the following for information on the appropriate courses:
The City and Guilds Institution
A School of Textiles With Stitches (SST)
Excellence in Textile Manufacturing Center (TCoE)
A membership in an appropriate professional body, such as The Textile Institute, provides access to additional possibilities for continuing professional development (CPD) and is helpful for building relationships within the sector.
The progression from the position of junior designer to that of designer, and subsequently onto the position of senior designer, is a typical career path within the textile design sector. However, the specific route you choose will be determined by factors such as your own interests and experiences, as well as the kind of working environment and professional reputation you want.
It's possible that advancement may take some time, especially when you first start out in your work. At higher levels of the profession, a designer's job may encompass a greater number of commercial and administrative duties, such as managing accounts and workers.
The career path is less easy for designers who want to stay self-employed and is highly dependent on individual initiative and personal decisions about the kind and amount of work completed.
Being proactive in one's career, building connections within one's field, and staying current with the latest innovations are all necessary for career success.
Some textile designers go on to develop their own design firms after gaining the necessary skills, establishing a track record, and accumulating a clientele of individuals or corporations. This needs a person to be persistent, have a hands-on approach, and have a strong grasp of possible markets regardless of whether they work in craft design, commercial textile design, or as artists.
Embroidery designer, knitwear designer, and tapestry designer are all examples of other career paths that are available within the textile business.
Visit BBC Bitesize to learn more about how Terri got her start as a knitwear designer.